Scene 01 · Notes

Notes Scene 1: By the Fire

Notes on this scene

Holmes says that everyday life contains events stranger than anyone could invent. Watson objects by pointing to the uninspiring crimes reported in newspapers, but Holmes replies that a convincing account of reality requires careful selection and judgment rather than a plain record of every fact.

Japanese in this scene

は
は marks the topic of the sentence and can also contrast it with another topic. It is written ha but normally pronounced wa.
が
が marks the grammatical subject or introduces newly focused information. It can also connect clauses with a mild contrast.
を
を marks the direct object of a verb. With a movement verb, it can instead mark the route or place being crossed.
に
に can mark a destination, target, time, recipient, purpose, or resulting state. The predicate shows its role here.

Full text: original English and Japanese translation

"My dear fellow," said Sherlock Holmes as we sat on either side of the fire in his lodgings at Baker Street, "life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outré results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable."

「きみ」とシャーロック・ホームズは言った。ベイカー街の彼の下宿で、私たちは暖炉の両側に座っていた。「人生は、人間の頭が考え出せるどんなことよりも、はるかに奇妙なものだ。実際にはありふれた出来事にすぎないことも、私たちには恐ろしくて思いつけないだろう。もしも二人で手を取り合ってあの窓から飛び出し、この大都市の上を漂い、そっと屋根を取り払って、中で起きている奇妙なことをのぞけたなら、数々の不思議な偶然の一致や計画、意図の食い違い、幾世代にもわたって続き、まったく風変わりな結果へ至るすばらしい出来事の連鎖を見られたなら、型にはまった筋立てと先の読める結末を持つ小説など、すべてひどく陳腐でつまらないものに思えるはずだ」

"And yet I am not convinced of it," I answered. "The cases which come to light in the papers are, as a rule, bald enough, and vulgar enough. We have in our police reports realism pushed to its extreme limits, and yet the result is, it must be confessed, neither fascinating nor artistic."

「それでも、私は納得していないよ」と答えた。「新聞に出る事件は、たいてい味もそっけもなく、まったく俗っぽいものばかりだ。警察の記事では写実性が極限まで押し進められているが、それでも結果は、認めざるを得ないが、魅力的でも芸術的でもない」

"A certain selection and discretion must be used in producing a realistic effect," remarked Holmes. "This is wanting in the police report, where more stress is laid, perhaps, upon the platitudes of the magistrate than upon the details, which to an observer contain the vital essence of the whole matter. Depend upon it, there is nothing so unnatural as the commonplace."

「現実らしい効果を生むには、ある程度の取捨選択と判断が必要だ」とホームズは言った。「警察の記事にはそれが欠けている。おそらく、観察する者には事件全体の肝心な本質が含まれている細部より、判事の陳腐な言葉のほうが重く扱われているからだ。「断言してもいいが、ありふれたものほど不自然なものはない」

Japanese words in this scene (with English meanings; ☆ saves a word)

  • 彼(かれ) — he; him
  • 下宿(げしゅく) — lodgings; boarding house
  • 私(わたし) — I; me
  • たち — After a person or people, marks a plural or associated group; quality of character; nature
  • 暖炉(だんろ) — fireplace; hearth
  • 両側(りょうがわ) — both sides; either side
  • 人生(じんせい) — life; human life; one's course through life
  • 人間(にんげん) — human; person

Next scene: The Morning Paper

Watson suggests that Holmes encounters strange affairs only because difficult cases reach him from three continents. To test the idea, Watson picks up the morning newspaper from the floor. The first headline concerns a husband’s cruelty to his wife, and Watson confidently claims that he can predict the entire story without reading another word.