Scene 36 · Notes

Notes Scene 36: An Exchange in the Room

Notes on this scene

Unable to escape, Windibank collapses into a chair and protests that he has committed no legally punishable offense. Holmes agrees that the law may not reach him but condemns the cruelty of the scheme. He then starts laying out its history step by step.

Japanese in this scene

は
は marks the topic of the sentence and can also contrast it with another topic. It is written ha but normally pronounced wa.
が
が marks the grammatical subject or introduces newly focused information. It can also connect clauses with a mild contrast.
を
を marks the direct object of a verb. With a movement verb, it can instead mark the route or place being crossed.
に
に can mark a destination, target, time, recipient, purpose, or resulting state. The predicate shows its role here.

Full text: original English and Japanese translation

"Oh, it won't do—really it won't," said Holmes suavely. "There is no possible getting out of it, Mr. Windibank. It is quite too transparent, and it was a very bad compliment when you said that it was impossible for me to solve so simple a question. That's right! Sit down and let us talk it over."

「いや、それは通用しませんよ。本当に通用しないのです」とホームズは穏やかに言った。「逃れることはできません、ウィンディバンクさん。あまりにも見え透いています。こんな簡単な問題を私に解けるはずがないとおっしゃるのは、ずいぶん失礼な評価でしたね。そう、それでよいのです。お座りになって、話し合いましょう」

Our visitor collapsed into a chair, with a ghastly face and a glitter of moisture on his brow. "It—it's not actionable," he stammered.

来客は、青ざめた顔と汗に光る額をして、椅子へへたり込んだ。「そ、それは訴えられるようなことではありません」と彼はどもった。

"I am very much afraid that it is not. But between ourselves, Windibank, it was as cruel and selfish and heartless a trick in a petty way as ever came before me. Now, let me just run over the course of events, and you will contradict me if I go wrong."

「残念ながら、まったくそのとおりでしょう。ですが、ここだけの話、ウィンディバンクさん、規模こそ小さくとも、私が出会った中で、これほど残酷で利己的で無情な企てはありませんでした。では、一連の出来事を順にたどってみましょう。私が間違えたら、遠慮なく反論してください」

The man sat huddled up in his chair, with his head sunk upon his breast, like one who is utterly crushed. Holmes stuck his feet up on the corner of the mantelpiece and, leaning back with his hands in his pockets, began talking, rather to himself, as it seemed, than to us.

男は、すっかり打ちのめされた者のように、胸に頭を垂れて、椅子の中で身を縮めていた。ホームズは両足を炉棚の隅へ突き出し、両手をポケットに入れて背にもたれると、私たちにというより、独り言のように話し始めた。

Japanese words in this scene (with English meanings; ☆ saves a word)

  • 一連(いちれん) — series; chain; sequence; two reams (i.e. 1000 sheets of paper)hard
  • 通用する(つうようする) — to be accepted; to work; to pass
  • 本当に(ほんとうに) — really; truly
  • 穏やか(おだやか) — gentle; calm; mild
  • 逃れる(のがれる) — to escape; to evade
  • できる — to be able to; to form; to arise
  • あまりに — too; excessively
  • 見え透く(みえすく) — to be transparent; to be easily seen through; to be obvious; to be apparent

Next scene: Tracing the Events

Holmes begins at the start, tracing the life of a household and the daughter who grew up within it. His account moves steadily toward the day when the young woman insisted on attending a ball. Without yet interrupting his own reconstruction, Holmes links the family’s circumstances to the choices that followed.