Scene 01 · Notes

Notes Scene 1: From Watson's Notes

Notes on this scene

Watson looks back through his records of more than seventy cases in which he studied Holmes's methods. Some were tragic and some comic, but none were commonplace. The affair of the Roylott family of Stoke Moran was especially unusual. Now that a promise of secrecy no longer binds him, Watson intends to set down what happened.

Japanese in this scene

というのも
というのも introduces the reason for Watson's claim that none of Holmes's cases were ordinary: Holmes chose investigations for their unusual nature, not for profit.
というより
A というより B corrects the emphasis from A to B. Holmes worked for love of his craft rather than for the purpose of gaining wealth.
おそらく好都合こうつごうだろう
おそらく softens Watson's judgment to ‘probably.’ Together with だろう, it presents publication now as likely convenient rather than certain.
七なな十じゅう件けんあまり
After a number, あまり means ‘more than’ or ‘over,’ not ‘not very.’ 七十件あまり therefore means ‘more than seventy cases.’

Background

rooms in Baker Street
Holmes and Watson once shared rented rooms in Baker Street under Mrs. Hudson's care. The opening recalls the period before Watson's marriage.

Full text: original English and Japanese translation

On glancing over my notes of the seventy odd cases in which I have during the last eight years studied the methods of my friend Sherlock Holmes, I find many tragic, some comic, a large number merely strange, but none commonplace; for, working as he did rather for the love of his art than for the acquirement of wealth, he refused to associate himself with any investigation which did not tend towards the unusual, and even the fantastic. Of all these varied cases, however, I cannot recall any which presented more singular features than that which was associated with the well-known Surrey family of the Roylotts of Stoke Moran. The events in question occurred in the early days of my association with Holmes, when we were sharing rooms as bachelors in Baker Street. It is possible that I might have placed them upon record before, but a promise of secrecy was made at the time, from which I have only been freed during the last month by the untimely death of the lady to whom the pledge was given. It is perhaps as well that the facts should now come to light, for I have reasons to know that there are widespread rumours as to the death of Dr. Grimesby Roylott which tend to make the matter even more terrible than the truth.

この八年のあいだに友人シャーロック・ホームズの手法を研究してきた七十件あまりの事件の記録を見返すと、悲劇的なものが多く、喜劇的なものもあり、ただ奇妙なだけのものも数多いが、ありふれたものは一つもない。というのも、彼は富を得るためというより自分の技への愛のために働いており、普通ではないもの、さらには幻想的なものにさえ向かわない捜査には、かかわろうとしなかったからだ。しかし、これら多彩な事件のなかでも、サリー州で名高いストーク・モランのロイロット家にまつわる事件ほど、特異な点の多いものは思い出せない。事件が起きたのは、私がホームズと知り合って間もない頃で、二人でベイカー街の部屋を独身者として共同で借りていた時期だった。これまでにも記録に残せたかもしれないが、当時は秘密を守る約束が交わされており、その約束から解かれたのは、約束の相手だった婦人が早すぎる死を迎えた先月のことにすぎない。いま事実が明るみに出るのは、おそらく好都合だろう。グリムズビー・ロイロット博士の死をめぐって、真相よりさらに恐ろしい話にしかねない噂が広く出回っていると、私は知っているからだ。

Japanese words in this scene (with English meanings; ☆ saves a word)

  • あいだ — interval; space between
  • 手法(しゅほう) — technique; method
  • 研究する(けんきゅうする) — to study closely; to research
  • 件(けん) — matter; topic
  • 事件(じけん) — case; incident
  • 見返す(みかえす) — to look (stare) back at (somebody); to look at again; to re-examine; to prove oneself superior (to someone who had previously been condescending)
  • 悲劇(ひげき) — tragedy; tragic event
  • 的(てき) — Suffix turning a noun into a descriptive expression: characterized by or relating to.

Next scene: A Client at Dawn

Early one April morning in 1883, Watson wakes to find Holmes fully dressed beside his bed. Holmes normally rises late, yet it is only a quarter past seven. A young woman has arrived and is waiting in the sitting room to consult him. Watson immediately decides to join his friend and hear her story.